In short: “What does this have to do with the world that I know?” But after delving into it, I came to realize just how relevant it is; and not only in the negative sense.
Evil is vividly depicted in “The Big Sleep”, but the author never lapses into excess. The result is a very enjoyable read, even for readers who are not big fans of mystery or detective fiction.
The story as a whole is consistently compelling; it is witty, thoughtful, and in the end quite moving.
“The Brothers Karamazov”, Dostoyevsky’s last novel (1880), is generally considered to be his masterpiece. Its central theme is arresting and provocative: if there is no God and no life beyond this life, then morality is non-existent; ANYTHING goes.
I would not call Seabury Quinn’s “The Phantom Farmhouse” a great work of literature; but it is good, and well worth reading—especially for fans of the horror genre that do not require high doses of violence and sex in their fictional products.
Published in 1932, it is an autobiographical novel that is told in first-person by a character named Ferdinand Bardamu. He is a doctor but talks like a criminal, and his slangy, vulgar voice is generally gripping and sometimes uproarious. It can also be quite disturbing, as when he describes his combat experiences during World War I.
In a sense, then, Melville’s most famous work (published in 1851) is made up of two different books: the one is the novel proper, which is a great and unique work of American literature; the other is a long-winded and pedantic study of whaling and whales generally.
The sheer originality of “Wise Blood” is, for me, one of its strongest attractions. It is an amazing grace tale that is simply inimitable—and amazing.
The plot concerns a man named John Russell. He is a non-Native American who was raised as an Apache; and if you want an example of stoicism or “grace under pressure”, here it is.
Stories about the supernatural fascinate and attract, I suppose, because they deal with those realms of human experience that are mysterious.